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Archive for August, 2011

Jessica Hess Studio Visit & Interview (Warholian)

In Warholian’s interview, Jessica Hess recalls one of the first abandoned buildings that drew her in- a brick warehouse in the downtown area of her hometown Wilmington, North Carolina: “Actually I became quite obsessed with it. I remember crawling all around it. Trying to get in, sticking my arms through the broken windows to photograph the inside.” That was when Hess was only a teenager, but that same determined curiosity and fascination with architectural landscapes is evident in Hess’ solo show It Finds You, opening this Saturday, Sept. 3rd at White Walls. Hess mentions that  the show will include the largest painting she has made, and the fact that even for this 66×66″ canvas Hess still completed the final layers with a 00 brush make it clear that her attention to detail is never spared in favor of an easier or faster technique. I suspect it is these perfectionist qualities that makes the work for It Finds You such a pleasure to look at. Each work of art is finely tuned with a colorful vibrancy that makes the details all the more important.

Click here to read Warholian’s full interview by Aimee Dewing.

More Photos After the Jump! Read more »

A Conversation with Jessica Hess

“Demolition Day,” Oil on Canvas, 36×26″

Amidst the steady work Jessica Hess has been putting in for her solo show at White Walls, she still found the time to answer our questions about the body of work she’ll be presenting in It Finds You, opening Saturday, September 3rd, 7-11pm. From the age of 11 Hess has been painting with oils, beginning from the start with the set intention of becoming an artist. Such clarity on one’s future at a young age is rare. Maintaining unswerving dedication to a career that demands so much from a person is even more rare; Hess not only has done both, but has excelled at each. Her artistry is evident in a look at any of her paintings, all of which feature urban landscapes rendered in a way that seems almost loving in it’s attention to detail and light. Graffiti-adorned alleyways, underpasses, and hollowed out buildings become the aesthetic focus in Hess’ painting, rather than just being the type of scenes many of us most commonly ignore. Through her personal exploration and documentation of places that have been left to fall apart and be forgotten, Hess creates paintings that bring out the beauty of structures in disrepair, highlighting just how street art and graffiti breathe a new life into them.

Read Jessica Hess’ Full Interview After the Jump! Read more »

A Look Inside the Studio of Jessica Hess

Take a look at Jessica Hess working on her upcoming solo-show It Finds You. Hess’ finished body of work will be unveiled to the public with the show’s opening at White Walls, Saturday, September 3rd! August has been flying by and we’re happy to have such a great show to look forward to!
RSVP
here

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It Finds You, New Works by Jessica Hess Press Release

White Walls Presents:

It Finds You, New Works by Jessica Hess


White Walls is pleased to present It Finds You, a selection of skillful, highly detailed realist paintings by San Francisco-based artist Jessica Hess. This will be Hess’ first solo project with White Walls, after inclusions of her work in several previous group exhibitions – both at White Walls and sister space 941 Geary. The opening reception is Saturday, September 3, from 7-11 pm, and the exhibition is free and open to the public for viewing through September 24.

Hess’ work explores structure, simplicity, and decay, rather than the elegant, almost decadent subjects that usually tend to take precedence within traditional oil landscape painting. She seeks out abandoned, derelict structures and overlooked sections of civil infrastructure – armed with only a camera – as part of her research process. She has described some of these spaces as almost “having found her,” rather than the other way around.  Through her investigations of these forgotten places, Hess aims to recreate her own interpretations of the spaces she’s visited, and the images she’s collected. Some of her paintings are made with fidelity to the original source, while others are products of Hess’ subconscious compilation of sites visited, photographs taken, and remembrances of her urban wandering.

She is attracted primarily to sites where utility takes precedence over aesthetics. Many of her subjects are neglected or abandoned, and Hess strives to bring forward the beauty she finds in these discarded urban spaces by rendering them in luscious, colorful oil paint. The scenes depicted are absent of human figures, but leave the viewer with the undeniable imprint of human impact: the lasting effect of infrastructure on the urban landscape, struggling to maintain its imposing facade in the face of the fervent splashes of graffiti and quietly shifting natural elements that seek to reclaim them.

From the artist: “My inclusion of street art documents and makes permanent these otherwise transitory public works. By painting graffiti-laden sites, I am participating in an anonymous collaboration with other artists and giving a nod of appreciation to street art. All street art evidences creative traffic and the time invested by others on my otherwise lonely subjects, adding color and excitement to otherwise dull locations. In reworking and transforming these locations my paintings further this collaboration of time, structure, and surface.”

Hess will be presenting more than 25 ambitious new works in the exhibition, the majority of which are her signature oil-on-canvas pieces. To further expand upon this body of work, she is also including several small gouache-on-paper works, in addition to sculptures from her new series of hand-painted ceramic spray paint cans with her collaborator, Christa Assad. Hess’ subject matter continues to focus on graffiti-soaked landscapes, the references for which are drawn primarily from actual spaces in both San Francisco and New York.


Jessica Hess grew up in the conservative American South and escaped north to attend art school as soon as possible. She lived in Providence, R.I., for five years and received her BFA from the Rhode Island School of Design in 2003. After brief stints living in the Berkshires, and later Boston, she relocated to San Francisco in 2010, in order to immerse herself in West coast street art culture – and found a new home within both the city, and at White Walls Gallery. Hess travels frequently to seek out inspiration and new subject matter, and has enjoyed photographing the country coast to coast.


White Walls Gallery has worked for nearly a decade to exist as the premiere destination for urban art in the Bay Area. Combined with the Shooting Gallery just next door, this 4,000 sq ft space is one of the largest galleries on the west coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the urban art movement, drawing directly from street art and graffiti culture. Named for its plain white walls, the gallery takes a backseat to the real focus: the work of our artists.

Media Opportunities:

Interview with artist Jessica Hess

Interview with owner/founder/curator Justin Giarla

High-resolution images available upon request

Event Information:

It Finds You, New Works by Jessica Hess

Opening Reception – September 3, 7-11 pm

On View Through September 24, 2011,

@ White Walls (www.whitewallssf.com)

835 Larkin St,

San Francisco, CA

Opening Photos for Aron Meynell and Erik Otto!

New Works by Aron Meynell and The Project Room by Erik Otto both enjoyed successful openings at White Walls this Saturday. Thank you to everyone that came out and enjoyed the works with us! If you couldn’t make it you can come see the full shows until August 27th. Our weekly hours are Tues- Saturday 12-7pm so stop on in!

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Aron Meynell and Erik Otto Detail Shots

New Works by Aron Meynell and The Project Room by Erik Otto both open in less than an hour at White Walls! Join us for the openings from 7-11pm!